Blu Dreams 2

Remember the band Boston? They were known for doing an album every nine years or so throughout their career. It may or may not have been intentional, but each sequel was always a long wait for fans.

Blu Dreams 2 is sort of like that. It’s the long-awaited sequel to the original Blu Dreams, which was released about five years ago. Directed by Red Ezra and released by Cal Vista Pictures, Blu Dreams was a bounty of solo masturbatory pleasure for lovers of that genre. The second installment picks up right where the old one left off, though director Melissa Monet has updated the girls and scenarios, and has turned up the heat several notches.

Melissa’s resume includes writing, performing, art direction, directing and just about anything else you can think of, making her the perfect candidate to head up this scintillating addition to the newly geared-up Cal Vista line.

While the first Blu Dreams was strictly an exercise in vanity, the new one is more evenly balanced, centering on the O-face as well as the girls’ outward beauty.

“My first criterion was real orgasms,” she says. “And not that every girl isn’t just beautiful and stunning and fantastic, and some of them are huge stars and so on and so forth, but I only picked girls that I thought would cum for real on camera, otherwise I didn’t want them.”

BD2 has twelve girls, in twelve different settings, all hand-picked by Melissa with the exception of Ariella Ferrera. “I had never used Ariella Ferrera before… it was the shower scene and that’s my anchor scene at the end because I think it’s a really strong scene.”

We concur! As for some of the other scenes? Check out these quotes directly from Melissa:

“The one that Julia Ann did is something I did similarly in a soft core movie many, many years ago and it came out beautiful, but the girl… and the girl was sensual, but she wasn’t as sensual as someone like Julia. So, I really wanted to do it with someone who I knew could really pull it off. So, that’s the opening scene and that’s really very special to me.”

“I had, like, Andy San Dimas’… I had the music written for that scene specifically. The editor, who is James Avalon, did all these effects on her and it was just awesome!”

“I think Annabelle Lee… her scene is really subtle, and some people will love it and some people will think it’s too subtle, but boy, oh boy, you just look at her skin and you can see what’s happening. And to me, that was… the best part of the scene was not so much the orgasms or how pretty she is or how great her little body is, but how the little hairs on her arm went up, you know?”

That quote just made the hair on our arms stand on end, and this film will certainly make something else stand on end too.

Blu Dreams 2 just received a “AAAA ½” AVN rating and also earned an Editor’s Choice rating.

Do not miss this one.

Stars:   Julia Ann Kimberly Kane Jada Fire Evie Delatosso Jessica Bangkok Juelz Ventura Andy San Dimas Ariella Ferrera Celeste Star Anna Pierceson Bobbi Starr Dyanna Lauren
Categories: New Release Masturbation All Sex All Girl Glamour High Definition
Running Time:   121 minutes
Released:   10/2010
Studio Name:   Metro Media Entertainment Cal Vista Pictures
Series:   Blu Dreams
Director:   Melissa Monet

Pamela Anderson Lands 11th Playboy Cover

HOLMBY HILLS, Calif. — Pamela Anderson will notch 11 Playboy covers when January’s issue is published.

On his Twitter.com page, Playboy founder Hugh Hefner writes, “Pamela Anderson is in the Mansion swimming pool, posing for the January cover in a tribute to ‘La Dolce Vita’.”

Anderson first graced Playboy’s cover in 1989, later being named as Playmate of the Year in 1990.

Anderson, who will be 43 in January, last posed for Playboy’s cover in 2007.

Three years later, Anderson is prancing around naked in a pool as an homage to Anita Ekberg’s infamous scene in Rome’s Trevi Fountain with Marcello Mastroianni in the 1960 movie classic “La Dolce Vita.”

Check out Pamela Anderson in these movies!

The Big Fuck

When Alpha-France released this film in June of 1977, it caused quite a stir and commotion.

The film centers around a woman, Karine, and a man, Alban, who find happiness with each other during a torrid affair. As the film begins, one year has passed since they were last together and each is missing the other terribly.

Director Frederic Lansac does a decent enough job juxtaposing their current situations, Alban shacking up with a young, inexperienced girl and Karine with a man who finds almost as much enjoyment organizing labor demonstrations as being with her.

Through the course of the movie, both are seen writing heart-felt letters to each other. The correspondence segments are intertwined with various flashback scenes of the trysts each has had during the course of the past 365 days.

In one scene, Karine rides her man to orgasm after he has been roughed up by the cops. In another, she is taken from behind in the kitchen as she scrubs the dishes. The shot is interesting in that we see her reach ecstasy in the reflection from one of her freshly cleaned skillets.

Meanwhile, Alban recalls fucking his young beau in doggie style on the floor of the living room, cumming onto her ass. He also recounts waking to her masturbating in bed, her fingers rubbing her puffy pussy lips. He helps glide her hand across her folds as she sensually licks the underside of his throbbing cock. He eventually cums into her mouth. It’s one of the hotter scenes of the film.

During the course of the story, Alban also recalls some of his other exploits: his secretary, a massive swinger’s orgy, and even a blonde girl who reminded him of his true love. You’ll find some costume play, an oral sex daisy chain and some girl-on-girl action throughout the scenes.

Both suffer their misery to the breaking point when they kick out their significant others. A chance meeting near the pond where they first met brings them full circle for the big fuck at the end, worthy of its namesake.

Alpha-France produced some quality classic porn in its time, but as you watch this film or any of their others, you should take into account that it was a different era. Gratuitous amounts of tawdry and very dirty sex were not the thing. Many of the twelve scenes here do not end in money shots and they are relatively short by today’s standards. In fact, the entire film clocks in at a grand total of 61 minutes.

But, if you’re into natural women with big tits and bush, and un-buff men, storylines and nostalgia, be sure to take a gander at The Big Fuck and the entire Alpha-France line. It’s some of the best from its era.

Stars:   Sylvia Bourbon Karine Gambier Erika Cool Dawn Cummings Carole Gire Guy Royer Alban Ceray Siegfried Cellier Thierry De Brem Barbara Moose

Categories: Euro Feature Classic International 70’s Gold

Running Time:   61 minutes

Released:   06/1977

Studio Name:   ALPHA-FRANCE

Director:   Frederic Lansac

On the Wet Spot with Ariella Ferrera

Though she may claim to be just the “regular girl next door”, Columbian-born Ariella Ferrera is anything but!  The bisexual latina is blazing a trail through the world of adult, and working with some of our favorite studios.  AEBN managed sit the up-and-coming MILF down on the Wet Spot for a quick 10 this week:

You’re making dinner – what are we having?
I work things a little different…  I skip to what in my opinion is the main course and my favorite… Dessert! After some time of devouring “my dessert” it leaves you with a taste for more Colombian and leaves me with the energy to cook. The first time I will cook a typical Colombian dish “Sudado de Arroz con pollo/carne y Arrepas”( Soup, seasoned rice w/chicken or steak, veggies and homemade pancake/flatbread).

Your favorite piece of lingerie is:
Stockings without a doubt… The moment I slip into them I’m turned on and the best part is they never have to come off!

I think my best physical feature is:
I’ll trust your opinion…[Editor’s note — well, we can see two right off the bat!]

My favorite physical feature on someone else is:

Since you’re asking about a physical feature than I would have to say the eyes. Although, I’m a firm believer that you can always find a sexy feature on everyone, I would have to say a sexy pair of eyes always attracts me.

The easiest thing you can do to make me happy is:
Genuinely, listen so that the rest is easy to do…

My favorite place to vacation is:
I can’t say that I’ve traveled enough to make a fair assessment but at the moment my bed and the St.Andres Island off the Caribbean are tied.

Last scene I shot was:
I shot a BDSM scene by Ken Marcus for his and my site. I had so much fun I want more!!! The industry has sparked a new interest in this fetish and I’m truly enjoying its exploration.

You totally want me to do this to you in bed (because I’m really, really good at it!):
You really want me to give you a massage with my lips from your lips to your toes paying extra attention to whatever sticks out at me.

You really want to do this to me in bed (because it turns me on!):
I can’t narrow it down to just one thing that really turns me on because it can be as simple as feeling a person’s breath in my ear to the texture of the sheets that act as barrier between each others’ pressed bodies.  Plus, I don’t want give away all my secrets… how you work your magic determines if there will be a second invitation for you.

Favorite Halloween costume (or what are you planning to wear this year)?
I’m undecided about what costume to get dressed up as but its between a Dominatrix or Cleopatra.

Check out more of Ariella Ferrera in these movies!

Jenna Jameson Headed to Broadway Stage

Porn legend Jenna Jameson is up for a part in the hit Broadway rock musical, “Rock of Ages.”

Reports said that Jameson is in talks with the show producers for the role of Venus strip club owner, Justice, who performs the show-stopping Journey number “Any Way You Want It.”

“I’m meeting with the producers [today], and I just hope I have enough talent to carry the role,” Jameson said. “We are talking about a run that would be anything from a month to three months, and it could start very soon.”

The star said she is praying that she gets the role and added, “Broadway has always been a dream of mine ever since I was a little girl.”

She added, “I think I’m perfect for the role, and I am really looking forward to becoming a New Yorker.”

Jameson’s audition apparently went very well. Broadway insiders said the show’s producers were surprised by Jenna’s acting and singing talent and that she is the right sort of character to help the show “push the boundaries.”

“The producers were surprised, but Jenna has a good voice,” a source said. “And while she’s famous for her X-rated movies, she can act. This may be a shock to traditional Broadway fans, but the show is always trying to push the boundaries.”

“Rock of Ages” features music from bands including Whitesnake, Styx and Bon Jovi.

This Isn’t Fast Times At Ridgemont High: The XXX Parody

Parodying “Fast Times at Ridgemont High” is a big task. You have to do justice to the Phoebe Cates bikini drop that fueled the erections of a generation. You need the right Jeff Spicoli and he needs hot surfer chicks to screw. Stacy’s hook up with Damon should be hot. Director Sammy Slater does right by “Fast Times” with “This Isn’t Fast Times at Ridgemont High: The XXX Parody.”

On the first day of school, Jeff Spermcoli (Chad Alva) tumbles out of his van and wanders into the classroom of Mr. Handle (Scott Lyons). When Mr. Handle asks why he’s here so early, Spermcoli says he’s turning over a new leaf and we see a flashback of the life-changing event. Over the summer he won a surfing championship and two of the most righteous big-titted babes (brunette Charley Chase and blonde Bridgette B.) helped him celebrate. It starts with a great double blowjob, leading to titty-fucking. Soon Bridgette demands, “Can we fuck now?” Love the no-bullshit approach! This threeway is a blast.

How did this inspire Spermcoli? Well, Spermcoli hasn’t turned over a new leaf at all. Mr. Handle wakes him up in the middle of class, just before a pizza dude arrives. Spermcoli says eating pizza in class is OK because it’s “our time,” not Mr. Handle’s time. Using that logic, Mr. Handle fucks a student named Susan (Chastity Lynn) on his desk as Spermcoli watches. Spermcoli thinks it’s righteous, especially when Susan takes it in the ass. Susan has a girl-next-door look, a tight body with pencil eraser nipples, and she’s energetic, all of which makes a fun scene.

Mark, aka Rat, has a date with Stacy (Naudia Nice) but he flees in terror when she comes on to him. He should have followed Damone’s “five-point plan” to scoring with a girl. The next day, Damone (Seri Abbe) drags Rat to Stacy’s house unannounced to hang out in the pool.

Stacy’s brother Brad (Michael Vegas) has the hots for Stacy’s friend Linda (Tori Black). Who wouldn’t? After he gets home and sees Linda by the pool in her red bikini, Brad sits by the bathroom window watching Linda and imagines her untying that bikini top, like Judge Reinhold jerking off to his Phoebe Cates fantasy. This being porn, that fantasy goes further. She lets him fuck her throat, then her pussy. She looks gorgeous bouncing on his dick in the sunshine. As the fantasy ends with Brad cumming on her face, the real-life Brad finds his jerk session interrupted when the real-life Linda barges into the bathroom without knocking.

Stacy finds Damone after school and invites him over. At first he resists because Rat’s his friend, but she comes on strong. If Stacy won’t tell Rat, Damone’s all about it. They strip and he plays with her big natural breasts. As he’s about to enter her, she tells him it’s her first time, and it’s believable the way she shyly asks if he likes her tits and asks if she can suck him off. Back to the fucking, Stacy rides on top and those bouncing tits look great. It’s hot and this time Damone aims that cumshot where it won’t get her pregnant!

“This Isn’t Fast Times at Ridgemont High” from Devil’s Film is fun, with enough references to keep you entertained between the hot sex scenes. Most of the performers are perfectly cast and the movie is true to the feeling of the real “Fast Times at Ridgemont High.” This parody is not to be missed.

Bob Guccione, Penthouse Founder (1930 – 2010)

AEBN mourns the loss of one of the adult industry’s true pioneers.  Our thoughts go out to his family and friends.

Robert Charles Joseph Edward Sabatini “Bob” Guccione, the visionary who founded the Penthouse media empire and assembled one of the great private art collections in the United States, has died after a long and courageous battle against cancer.

He passed away on October 20, 2010 at Plano Specialty Hospital in Plano, Texas, according to his wife April Dawn Warren Guccione, who was at his side at the time along with two of his children, Bob Jr. and Tonina.

A highly praised painter, for most of his life Bob Guccione was best known as the founder of Penthouse magazine, which he launched in 1965 in England and built into one of the world’s most popular magazines for men. He established Penthouse as a brand name that remains a significant part of pop culture.

Bob Guccione was born in Brooklyn, New York, on December 17, 1930 into a large family of Sicilian immigrants headed by his accountant father. He was raised in Bergenfield, New Jersey, and attended the Blair Academy preparatory school. His consuming interest was painting, and in 1948 he wrote to a friend: “I want to devote my life to the serious and profound intricacies of true and imaginative art”. He married for the first time before the age of 20, and had his first child, Tonina. He then moved to Europe to pursue his passion as a painter and while there he befriended and painted with Picasso and Matisse. He traveled widely, and became friends with William S. Burroughs and other ex-patriot American writers. After marrying again he had four more children, Bob Jr., Nina, Tony, and Nick.

Mr. Guccione was working as the manager of a chain of self-service laundries in London and as a cartoonist on The London American, an American weekly newspaper, in 1965 when he got the idea of starting Penthouse, a magazine that would be aimed at “regular guys” and would be more sexually explicit and daring in its editorial approach than another early adult magazine for men, Playboy. The magazine featured photos of nude women in highly suggestive poses and its editorial coverage of government cover-ups and scandals was frequently far ahead of “mainstream” journalism.

In its early days, the magazine operated on a shoe string, and Mr. Guccione himself photographed most of the models for the magazine’s early issues, applying his knowledge of painting to his photography as he created the diffused, soft focus-look that was a trademark of Penthouse pictorials for many years. His plan was to get the magazine business to generate an income stream that would enable him to devote more time to his first love, painting.

Penthouse became a great success, as well known for its investigative reporting as for its pictorials of gorgeous women wearing nothing. Eventually, Mr. Guccione bought a mansion on Manhattan’s Upper East Side that was said to be the largest private residence in the city, and which he remodeled with painstaking care. He and his third wife, Kathy Keeton, lived a quiet life in the 30-room, 22,000 square feet home, although they opened it frequently to host events to support causes including the New York Chapter of the NAACP (National Association for the Advancement of Colored People) and other organizations. For many years Ms Keeton worked closely with the poorest school district in Harlem to provide funding for basic needs and for extra curricular activities.

The mansion also housed Mr. Guccione’s art studio, where he eventually resumed painting again, some 32 years after he stopped. He created oil on canvas works that were shown in critically acclaimed exhibitions at the Butler Institute of American Art in Ohio, the Nassau County Museum of Art and in many galleries across the country. He told an interviewer in 1994: “My art is something I do for myself, as all other artists do, so my art represents the real me.”

He and Ms. Keeton launched several magazines, including Longevity, Viva and Omni, which in the late 1980s was the first magazine to have an Internet presence. He also produced or financed several motion pictures, including Caligula (1979) with Malcolm McDowell, Helen Mirren, John Gielgud, and Peter O’Toole; Chinatown (1974), directed by Roman Polanski and starring Jack Nicholson, Faye Dunaway and John Huston; and The Longest Yard (1974), directed by Robert Aldrich and starring Burt Reynolds, Eddie Albert, Ed Lauter and Michael Conrad. In the early 2000s, Penthouse published a short-lived comic book spin-off entitled Penthouse Comix featuring racy stories. Ms. Keeton died in 1997.

Bob Guccione had numerous personal and business enthusiasms, including an ill-fated attempt to create the Penthouse Boardwalk Hotel and Casino in Atlantic City, which cost over $150 million and caused him to tell an interviewer, “I was the biggest loser in Atlantic City.”

Guccione married Ms. Warren in 2006 and in 2009 they moved from the New Jersey to Texas, where he fought the lung cancer that eventually took him. He told Anthony Haden Guest during a New York Magazine interview in 2004, “My cancer was only a tiny tumor about the size of an almond at the base of my tongue. The cure is probably every bit as bad as the disease. It’s affected my ability to swallow . . . the mobility of my tongue . . . it makes it very difficult for me to talk…”

Mr. Guccione was also a world-renowned art collector. His collection, which was displayed on the walls of the New York City mansion and a country home in Staatsburg, New York, included works by Modigliani, Picasso, Botticelli, El Greco, Durer, Chagall, Dali, Degas, The Guccione art collection was sold by Sotheby’s in November, 2002.

He was greatly admired by his peers and by media figures. Steven Hirsch, co-founder and co-chairman of adult industry leader Vivid Entertainment said: “Bob was a true innovator and his magazines reflected his wonderful artistic sensibility. He paved the way for adult entertainment to become acceptable to mainstream America, and companies like Vivid have followed the path he laid out. He was without parallel in his art direction of Penthouse and succeeded in balancing portfolios of beautiful women with exciting editorial content. It was an act that was very hard to follow and no one succeeded as well as he did.” Writing in New York Magazine, Anthony Haden Guest said, “Bob Guccione pushed the soft-core envelope, building one of the most profitable porn empires in the world.”

Services for Mr. Guccione will be private.